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The Bill Frisell Band – Lookout For Hope

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Bill Frisell – electric and acoustic guitars, banjo
Hank Roberts – cello, voice
Kermit Driscoll – bass
Joey Baron – drums

Produced by Lee Townsend

engineer: James Farber
Mastering engineer: Bob Ludwig

ECM Records

 All compositions by Bill Frisell except Hackensack by Thelonious Monk.

REVIEWS

“The fullest showing of Frisell’s ability to date, especially his compositional range” – High Fidelity

“Lookout For Hope offers one of the most hopeful signs that contemporary jazz can evolve with dignity, wit and charm.” – The Chicago Tribune

The Bill Frisell Band – Lookout For Hope2025-12-31T06:19:57+00:00

Bill Frisell – Before We Were Born

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Bill Frisell – electric and acoustic guitars
Arto Lindsay – electric guitar
Peter Scherer – keyboards and drum programming
Hank Roberts – cello, voice
Julius Hemphill – alto saxophone
Billy Drewes – alto saxophone
Doug Wieselman – baritone saxophone
Cyro Baptista – shaker
Kermit Driscoll – electric and acoustic basses
Joey Baron – drums, percussion, electronics

Produced by Lee Townsend

tracks 1, 7 & 8 produced by Peter Scherer & Arto Lindsey
recording and mixing engineer: Roger Moutenot
track 6 produced by John Zorn
recording and mixing engineer: Roger Moutenot
tracks 2, 3, 4 & 5 produced by Lee Townsend
recording and mixing engineer: James Farber

Elektra Musician

REVIEWS

“By following through on the implications of his unfettered sounds, Mr. Frisell has made his best album.”
– The New York Times

Bill Frisell – Before We Were Born2025-12-31T06:19:57+00:00

Bill Frisell – This Land

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Bill Frisell – guitar
Don Byron – clarinet and bass clarinet
Billy Drewes – alto saxophone
Curtis Fowlkes – trombone
Kermit Driscoll – electric and acoustic basses
Joey Baron – drums

Produced by Lee Townsend

recording and mixing engineer: Joe Ferla
mastering engineer: Greg Calbi

Elektra Nonesuch

All Compositions by Bill Frisell

REVIEWS

“Strange meetings of the mysterious and the earthy, the melancholy and the giddy, make perfect sense by Frisell’s deliciously warped way of thinking. The warpage is catching on and not a moment too soon.”
– Rolling Stone

Bill Frisell – This Land2025-12-31T06:20:17+00:00

Bill Frisell – Music for the Films of Buster Keaton: The High Sign/One Week

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Bill Frisell – electric and acoustic guitars
Kermit Driscoll – electric and acoustic basses
Joey Baron – drums and percussion

All compositions by Bill Frisell.

Produced by Lee Townsend

recording engineer: Oliver DiCicco
mixing engineer: Judy Clapp
mastering engineer: Greg Calbi

Nonesuch Records

 
REVIEWS

“With this set of music for the classic Buster Keaton film, “Go West,” Bill Frisell has crafted one of his finest, most evocative albums. Evincing his best qualities as both guitarist and composer, he harvests melancholy Americana from deceptively modest, episodic themes. Coloring the scenes with acoustic as well as his trademark electric, Frisell produces strangely cinematic motifs on guitar, and his rhythm cohorts – longtime bassist Kermit Driscoll and drummer Joey Baron – provide abundant narrative drive.” -Billboard

Bill Frisell – Music for the Films of Buster Keaton: The High Sign/One Week2025-12-31T06:20:17+00:00

Bill Frisell – Music for the Films of Buster Keaton – Go West

PURCHASE CD AMAZON ITUNES SPOTIFY

Bill Frisell – electric and acoustic guitars
Kermit Driscoll – electric and acoustic basses
Joey Baron – drums and percussion

All compositions by Bill Frisell.

Produced by Lee Townsend

recording engineer: Oliver DiCicco
mixing engineer: Judy Clapp
mastering engineer: Greg Calbi

Nonesuch Records

 
REVIEWS

“With this set of music for the classic Buster Keaton film, “Go West,” Bill Frisell has crafted one of his finest, most evocative albums. Evincing his best qualities as both guitarist and composer, he harvests melancholy Americana from deceptively modest, episodic themes. Coloring the scenes with acoustic as well as his trademark electric, Frisell produces strangely cinematic motifs on guitar, and his rhythm cohorts – longtime bassist Kermit Driscoll and drummer Joey Baron – provide abundant narrative drive.” -Billboard

Bill Frisell – Music for the Films of Buster Keaton – Go West2025-12-31T06:20:17+00:00

Elvis Costello And Bill Frisell – Deep Dead Blue – Live 25 June 95

Song List:

  1. Weird Nightmare
  2. Love Field
  3. Shamed Into Love
  4. Gigi
  5. Poor Napoleon
  6. Baby Plays Around
  7. Deep Dead Blue

Bill Frisell – guitar
Elvis Costello – vocals

Recorded by Roger Moutenot
Mixed by Roger Moutenot and Lee Townsend

Mastering engineer: Greg Calbi

Warner Bros. / Nonesuch

AMAZON PURCHASE CD

Elvis Costello And Bill Frisell – Deep Dead Blue – Live 25 June 952025-12-31T06:20:17+00:00

Bill Frisell – Quartet

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Eyving Kang – violin, tuba
Ron Miles – trumpet, piccolo trumpet
Curtis Fowlkes – trombone
Bill Frisell – electric and acoustic guitars

Produced by Lee Townsend

recording engineer: Oliver DiCicco
mixing engineer: Judy Clapp
mastering engineer: Greg Calbi

Nonesuch Records

All compositions by Bill Frisell

REVIEWS

Quartet may be his masterpiece.”
-The New York Times

“Quartet makes the most out of a variety of feelings. The composer has equal acumen in waxing forlorn and waxing frivolous…Frisell’s instrument is one of contemporary jazz’s utterly singular voices.”-Billboard

Bill Frisell – Quartet2025-12-31T06:20:17+00:00

Bill Frisell – Gone, Just Like A Train

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Bill Frisell – acoustic and electric guitars
Jim Keltner – drums and percussion
Viktor Krauss
– bass

Produced by Lee Townsend

recording and mixing engineer: Judy Clapp
mastering engineer: Greg Calbi

Nonesuch Records

Art by Jim Woodring
Package design by Gwen Terpstra
All compositions by Bill Frisell

REVIEWS

BILL FRISELL: Gone, Just Like A Train

Bill Frisell, electric & acoustic guitars
Viktor Krauss, bass;
JimKeltner, drums, percussion
Lee Townsend, prod.; Judy Clapp, eng.

Performance *****
Sonics *****

Bill Frisell is a soulful jazz minimalist with a sophisticated sense of harmony, a daring rhythmic approach, and an instantly recognizable, personal sound–as if Carl Perkins and Duane Eddy took on Otis Rush and Bill Evans in a bridge tournament. Every note is carefully sculpted, imbued with a bluesy, lightly Echoplexed halo, and elongated like taffy in a manner suggestive of the enigmatic Peter Green. Upon occasion, Bill will transmogrify into an 800-lb gorilla with a touch of distortion, but more often than not this affable galoot is content to make bricks with straw–a remarkable melodist who can transmute single notes into sapphire tears.

For those more impressed with the meat than the motion, Frisell’s floor routine may seem simplistic. Besides, why would someone who […]

Bill Frisell – Gone, Just Like A Train2025-12-31T06:20:17+00:00

Fred Hersch + Bill Frisell – Songs We Know

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Bill Frisell – guitar
Fred Hersch – piano

Produced by Lee Townsend

recording and mixing engineer: Christian Jones
mastering engineer: Greg Calbi

Nonesuch Records

 
REVIEWS

“The delicate interplay … between pianist Hersch and guitarist Frisell … brings freshness and understated luster to it all.”
Entertainment Weekly

“These guys are too distinctive to clone the past. Their romanticism is edged with a contemporary tartness, a tangy irony that infuses canny arrangements and biting solos. And so they remap and reinvigorate … standards like “What is This Thing Called Love?” and “I Got Rhythm” in sly, appealing and often hilarious ways.”
N.Y. Daily News

Fred Hersch + Bill Frisell – Songs We Know2025-12-31T06:20:17+00:00

Bill Frisell – Good Dog, Happy Man

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Bill Frisell – electric and acoustic guitars,
loops and music boxes
Greg Leisz – pedal steel, Dobro, lap steel,
Weissenborn, National steel guitar and mandolin
Wayne Horvitz – organ, piano, samples
Viktor Krauss – bass
Jim Keltner – drums & percussion

special guest on Shenandoah:
Ry Cooder – guitar

Produced by Lee Townsend

recording and mixing engineer: Judy Clapp
mastering engineer: Greg Calbi

Nonesuch Records

REVIEWS

“Bill Frisell makes such consistently great records that it would be easy to take the guitarist for granted. That would be sad, since no one refracts age-old Americana through a cutting-edge prism with the warm-hearted, fleet-minded individuality of Frisell. With “Good Dog, Happy Man,” he has crafted one of his earthiest essays yet – a sort of funky follow-up to his sublime “Nashville” album from 1997. Backed by an ultra-hip band – pedal-steel artisan Greg Leisz, bassist Viktor Krauss, organ grinder Wayne Horvitz, and drum legend Jim Keltner – Frisell has forged originals whose folky melodies and big-sky grooves make them seem like old friends in snazzy new clothes. Tellingly, the outfit channels the traditional “Shenandoah” with Ry Cooder in tow, and its sepia-toned melancholy pairs perfectly with Frisell’s dusty ballads, like the […]

Bill Frisell – Good Dog, Happy Man2025-12-31T06:20:17+00:00
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