SPOTIFY ITUNES AMAZON

Carrie Rodriguez – vocals, tenor guitar, electric mandolin, strings, fiddle
Hans Holzen – electric and acoustic guitars, mandolin
Kyle Kegerreis – upright and electric basses
Eric Platz – drums, percussion

Special guests: Buddy Miller, Aoife O’Donovan, Greg Leisz, Bill Frisell and Doug Wamble

produced by Lee Townsend

Recording and Mixing Engineer: Jason Lehning
Mastering Engineer: Greg Calbi Recorded at Opus Studio, Berkeley, CA
Additional Recording at Eastcote Studio, London Mixed at Fantasy Studios, Berkeley, CA
Mastered at Sterling Sound, New York
Additional Engineering by Adam Muñoz and Philip Bagenal

Ninth Street Opus

Song List

1. Big Love
(written by Ry Cooder, John Hiatt, Jim Keltner & Nick Lowe)

2. Wide River To Cross
(written by Julie Anne Miller & Steven P. “Buddy” Miller)

3. When I Heard Gypsy Davy Sing
(written by David Rodriguez)

4. Eyes On The Prize
(written by Matthew S. Ward)

5. Steal Your Love
(written by Lucinda Williams)

6. Waltzing’s For Dreamers
(written by Richard Thompson)

7. I’m Not For Love
(written by Sandrine Daniels)

8. I Made A Lover’s Prayer
(written by David Rawlings & Gillian Welch)

9. I Started Loving You Again
(written by Merle Haggard & Bonnie Owens)

10. Rex’s Blues
(written by Townes Van Zandt)

11. I’m So Lonesome I Could Cry
(written by Hank Williams)

12. La Puñalada Trapera
(written by Sosa Tomas Mendez)

SPOTIFY ITUNES AMAZON

Carrie Rodriguez -lead vocals, tenor guitar, mandobird, fiddle
Luke Jacobs– acoustic and electric guitars, lap steel, pedal steel, vocals
Hans Holzen – acoustic and electric guitars, lap steel, mandolin, vocals
Erik Deutsch – keyboards
Kyle Kegerreis – acoustic and electric bass
Don Heffington – drums, percussion

produced by Lee Townsend

Recording and Mixing Engineer: Adam Muñoz
Mastering Engineer: Greg Calbi
Recorded and Mixed at Fantasy Studios, Berkeley, CA
Mastered at Sterling Sound, New York
Additional Recording by John Ross Silva at Cedar Creek Studio – Austin, TX (Track 11)
Production Assistance: Adam Blomberg

Ninth Street Opus

Carrie Rodriguez – vocals, fiddle, tenor guitar
Luke Jacobs– vocals, electric & acoustic guitars, lap steel, harmonica

Recorded by: Cliff Hargrove at The Cactus Cafe in Austin, TX on June 19th & 20th, 2013

Mixed by: Adam Muños with Lee Townsend at Fantasy Studios in Berkeley, CA
Mastered by: Ken Lee at Ken Lee Mastering

Produced by: Carrie Rodriguez, Luke Jacobs & Lee Townsend

Track 1: Written by Carrie Rodriguez Tracks 2, 6 & 8: Written by Chip Taylor Tracks 3 & 7: Written by Carrie Rodriguez and Chip Taylor Track 4: Written by Ben Kyle Track 9: Written by Tomas Mendez Sosa Track 10: Written by Luke Jacobs & Carrie Rodriguez

PURCHASE CD

SPOTIFY ITUNES AMAZON

The new songs of Elvis Costello & Burt Bacharach
Arranged by Bill Frisell

Bill Frisell – electric and acoustic guitars
Brian Blade – drums and percussion
Don Byron – clarinet, bass clarinet
Billy Drewes – alto saxophone
Curtis Fowlkes – trombone
Viktor Krauss – bass
Ron Miles – trumpet

special guest on 2 & 10:
Elvis Costello – vocals
special guest on 5 & 10:
Cassandra Wilson – vocals

produced by Lee Townsend

recording and mixing engineers: Joe Ferla and Judy Clapp
mastering engineer: Greg Calbi

Decca

PURCHASE CD AMAZON ITUNES SPOTIFY

Bill Frisell – electric and acoustic guitars,
6 string banjo, loops & bass

produced by Lee Townsend

recording and mixing engineer:
Christian Jones

mastering engineer: Greg Calbi

All paintings by Claude Utley.
Package design by Gwen Terpstra.

Nonesuch Records

All Compositions by Bill Frisell except Wildwood Flower (Carter Family), Follow Your Heart (John McLaughlin), I’m So Lonesome, I Could Cry (Hank Williams) and My Man’s Gone Now (Gershwin).

REVIEWS

Frisell (multi-tracked) builds moody spiraling guitar pieces and alone, where he explores spatial possibilites with a minimalist’s ear… a milestone in the career of a true innovator – enchanting as anything he has done and a clear window into his muse.
– CMJ

“Handling all the instruments on Ghost Town (guitars, 6-string banjo, bass, and loops), Bill Frisell merges his head-long dive into roots music with his trademark loops and sonic ingenuity – all to stunning effect. Frisell’s compositions run the gamut from pure Americana (“Fingers Snappin’ and Toes Tappin'”) to tweaked-out soundscapes (“Creep” and “Outlaw”). On the standard “When I Fall in Love,” he plays the tune’s melody on the 6-string banjo over beautifully comped chords that pulse with slow tremolo. Hank Williams’ “I’m So Lonely I […]

SPOTIFY ITUNES AMAZON

Bill Frisell – electric and acoustic guitars, loops
Greg Leisz – pedal steel, lap steel, National steel guitar, Scheerhorn resonator guitar, mandolin
Ron Miles – trumpet
Billy Drewes – alto saxophone
David Piltch – bass
Kenny Wolleson – drums, percussion
Curtis Fowlkes – trombone

Produced by Lee Townsend

recording and mixing engineer: Judy Clapp

mastering by Greg Calbi

Nonesuch Records

 
REVIEWS

Sun is streaming in through the window on a fine spring morning, the Papers have just been delivered, fresh coffee is brewing and there’s a new Bill Frisell album on the CD player. It doesn’t get much better than this. Frisell is a wonderfully talented and skilled jazz guitarist, but his appeal goes deeper and wider than mere jazz brilliance. His tone infiltrates the environment and catches your ear; it’s a sound that can contain good humour, or melancholy, or nostalgia, yet still be utterly fresh and un-cliched, and it’s unquestionably an adult taste: complex, rich, full of layers. Even when he plays the simplest of tunes, such as “Pretty Flowers Were Made for Blooming or Where Do We Go?”, the touch and timbre adds a dimension of experience and authority that few musicians […]

PURCHASE CD AMAZON ITUNES SPOTIFY

Bill Frisell – electric and acoustic guitars, loops
Dave Holland – bass
Elvin Jones – drums

Produced by Lee Townsend & Michael Shrieve

recording engineers: Joe Ferla, Adam Munoz & Rory Romano
mixing engineer: Joe Ferla
edited by Adam Munoz

mastering by Greg Calbi

Nonesuch Records

Art by Jim Woodring
All Compositions by Bill Frisell (Friz-Tone Music/BMI) except “Moon River” by Henry Mancini and “Hard Times” by Stephen Foster

REVIEWS

Ever prolific avant-Americana guitarist Bill Frisell continues his Nonesuch odyssey with this trio that includes two jazz heavyweights: bassist Dave Holland (former Miles Davis band member and current ECM recording artist) and drum legend Elvin Jones (one-quarter of the classic John Coltrane Quartet of the ’60s and still an indefatigable rhythmist). Frisell leads the threesome through a book of his own highly individual, atmospherically compelling tunes, including such recent favorites as “Strange Meeting” and “Blues Dream”; the trio also essays two vintage numbers that do a good job of bookending Frisell’s own brand of rootsy lyricism – Henry Mancini’s “Moon River” and Stephen Foster’s “Hard Times.” Hardly obvious candidates as Frisell collaborators, Holland and Jones warm well to the folk-inflected material, complementing the guitarist’s offbeat charm […]

SPOTIFY ITUNES AMAZON

Bill Frisell – electric and acoustic guitars, loops
Danny Barnes – banjo, acoustic guitar, bass harmonica, pump organ
Keith Lowe – bass

produced by Lee Townsend

recording and mixing engineer: Tucker Martine
assistant engineer Adam Munoz

mastering by Greg Calbi

Nonesuch Records

Cover Art by Bill Frisell
Design by Gwen Terpstra
All Compositions by Bill Frisell (Friz-Tone Music/BMI) except “Sittin’ On Top of the World”, “Chuck Old Hen”, “Sugar Baby” and “Blackberry Blossom” (Traditional);” John Hardy Was a Desperate Little Man” and “Single Girl, Married Girl”by A.P. Carter (Perr International Corp./BMI); “Goodnight Irene” by Huddie Ledbetter and John A. Lomax (Ludlow Music/BMI) Henry Mancini and “Hard Times” by Stephen Foster

REVIEWS

With every new release now, Bill Frisell seems to delve deeper and farther back into the historical recesses of the American musical psyche, discovering there forgotten or half remembered sounds or archetypal phrasings that resonate deep within the human experience. This is music that you feel you have always known and yet have never heard before, like some treasured memory of an event that hasn’t happened yet.

And yet within this given framework of familiar old country, blues and folk melodies it is the sheer brilliance of […]

SPOTIFY ITUNES AMAZON (2004 Grammy nominee for Best World Music Album)

Bill Frisell – electric and acoustic guitars, loops, bass
Sidiki Camara – calabash, djembe, congas, percussion, vocals
Vinicius Cantuaria – electric and acoustic guitars, vocals, drums, percussion
Christos Govetas – oud, vocals, bouzouki
Greg Leisz – slide guitars, pedal steel guitar
Jenny Scheinman – violin

Produced by Lee Townsend

recording and mixing engineer: Tucker Martine
recorded at Studio Litho, Seattle
mixed at Different Fur Recording, San Francisco

mastering by Greg Calbi at Sterling Sound, New York City

Nonesuch Records

All Compositions by Bill Frisell (Friz-Tone Music/BMI) except: “Baba Drame” by Boubacar Traore, published by Labei Bleu (SACEM); “Procissao” by Gilberto Gil, published by BMG Arabella (BMI); “The Young Monk,” traditional; “Yala” by Christos Govetas, published by Govetas Music (ASCAP); “Perritos” by Vinicius Cantuaria, published by Tucuma Publishing (BMI).

REVIEWS

“A remarkable achievement – a hybrid that somehow both respects and transcends the styles involved….. with a sort of earthy, relaxed feeling – it’s country music from the global village.” – Washington Post

“Perhaps what’s called for is a new kind of world music, one that truly represents an openhearted meeting of the minds from radically disparate cultures…. The experiment […]

PURCHASE CD AMAZON ITUNES SPOTIFY

Petra Haden – vocals, violin
Bill Frisell – electric and acoustic guitars, loops

produced by Lee Townsend

engineered by: Tucker Martine

mastering by Greg Calbi at Sterling Sound, New York City

recorded and mixed at Trillium Lane Studios
Bainbridge Island, Washington
assistant and editing engineer: Chadwick Dahlquist

True North Records

REVIEWS

“The duo date of vocalist/violinist Petra Haden and guitarist Bill Frisell is a delicate flower with deep roots. Quiet, intimate and softly floating, this album is an eclectic mix of mild-mannered pop tunes that matter. There’s chemistry between Haden and Frisell ‹ the former a founder of the hip, now-defunct ’90s Los Angeles pop band that dog and daughter of jazz bassist Charlie Haden, and the latter a musical omnivore who loves folk-based tunes, even though he can tastefully shred strings in the right jazz setting. In addition to noteworthy covers of Coldplay’s “Yellow” and Stevie Wonder’s “I Believe,” Haden & Frisell shine on their moody crawl through “Moon River” and their exploration of the traditional Tuvan song “Bai-la Taigam.” – Dan Ouellette, Billboard

The Washington Post
By Geoffrey Himes
“The dozen tracks on “Petra Haden and Bill Frisell” include songs from Stevie Wonder, the Foo […]